Monday, 10 July 2017

Themes of the play "She Stoops to Counquer"

Themes of She Stoops to Counquer by Oliver Goldsmith


She Stoops to Counquer
Theme of Appearances and Reality

Appearances and Reality:
Much of the comedy of Goldsmith's play depends onnconfusion between appearance and reality. After all, Marlow's misperception of Mr. Hardcastle's house asnan inn drives the narrative action in the first place. Ironically, Goldsmith's comedy allows appearance to lead to the discovery of reality, Kate's deception leads her to discover Marlow's true nature. Falling in love when he thinks her a barmaid, he declares his decision to defy society and marry her in spite of the differences in their social class. Her falsehood allows him to relaxbwith her and reveal his true self.
Truth and Falsehood Thematically related to the theme of Appearance and Reality, Goldsmith uses falsehood to reveal the truth. Most obviously Tony's lie about Mr. Hardcastle's mansion being an inn produces the truth of the lovers' affections. Lying also leads to poetic justice.

She Stoops to Counquer
Theme of Class

Class
While the play is not explicitly a tract on class, the theme is central to it. The decisions the characters make and their perspectives on one another, are all largely based on what class they are a part of. Where Tony openly loves low-class people like the drunks in the Three Pigeons, Marlow must hide his love of low- class women from his father and “society.” His dynamic relationship with Kate (and the way he treats her) is defined by who he thinks she is at the time – from high-class Kate to a poor barmaid to a woman from good family but with no fortune. Hastings ’ and Marlow’s reaction to Hardcastle is also a great example of the importance of class—they find him impudent and absurd, because they believe him to be of low class, but his behavior would be perfectly reasonable and expected from a member of the upper
class, as he truly is.

She Stoops to Counquer
Theme of Money

Money
One of the factors that keeps the play pragmatic even when it veers close to contrivance and sentiment is the unavoidable importance of money. While some of the characters, like Marlow and Hardcastle, are mostly unconcerned with questions of money, there are several characters whose lives are largely defined by a lack of access to it. Constance cannot run away with Hastings because she worries about a life without her inheritance. When Marlow thinks Kate is a poor relation of the Hardcastles, he cannot get himself to propose because of her lack of dowry. And Tony seems to live a life unconcerned with wealth, although the implicit truth is that his dalliances are facilitated by having access to wealth.

She Stoops to Counquer
Theme of Love Ignores Social Boundaries

Love Ignores Social Boundaries
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Although prevailing attitudes among England's elite classes frown on romance between one of their own an a person of humble origin, Marlow can't help falling in love with a common "barmaid" (who is, of course, Kate in disguise).
.

She Stoops to Counquer
Theme of Hope for Flawed Humanity

Hope for Flawed Humanity
Although Marlow makes a fool of himself as a result of his upper-class biases, Kate has enough common sense to see through the London hauteur encasing him and tovappreciate him for his genuinely good qualities—whichvare considerable, once he allows them to surface. Also, Mrs. Hardcastle, in spite of her misguided values, enjoys the love of her practical, down-to-earth husband. He, too, is willing to look beyond her foibles in favor of her good points.

She Stoops to Counquer
Theme of Moderation

Moderation
Throughout the play runs a conflict between the refined attitudes of town and the simple behaviors of the country. The importance of this theme is underscored by the fact that it is the crux of the opening disagreement between Hardcastle and his wife. Where country characters like Hardcastle see town manners as pretentious, town characters like Marlow see country manners as bumpkinish. The best course of action is proposed through Kate, who is praised by Marlow as having a "refined simplicity." Having lived in town, she is able to appreciate the values of both sides of life and can find happiness inappreciating the contradictions that exist between them.

She Stoops to Counquer
Theme of Contradiction

Contradiction
Most characters in the play want others to be simple to understand. This in many ways mirrors the expectations of an audience that Goldsmith wishes to mock. Where his characters are initially presented as comic types, he spends time throughout the play complicating them all by showing their contradictions. Most clear are the contradictions within Marlow, who is both refined and base. The final happy ending comes when the two oldest men – Hardcastle and Sir Charles – decide to accept the contradictions in their children. In a sense, this theme helps to understand Goldsmith's purpose in the play, reminding us that all people are worthy of being mocked because of their silly, base natures, and no one is above reproach.




She Stoops to Counquer
Theme of Comedy

Comedy
Though it is only explicitly referred to in the prologue, an understanding of Goldsmith's play in context shows his desire to reintroduce his audience to the “laughing comedy” that derived from a long history of comedy that mocks human vice. This type of comedy stands in contrast to the then-popular “sentimental comedy” that praised virtues and reinforced bourgeois mentality. Understanding Goldsmith's love of the former helps to clarify several elements of the play: the low scene in the Three Pigeons; the mockery of baseness in even the most high-bred characters; andbthe celebration of absurdity as a fact of human life.

She Stoops to Counquer
Theme of Deceit/Trickery

Deceit/Trickery
Much of this play's comedy comes from the trickery played by various characters. The most important deceits come from Tony, including his lie about Hardcastle's home and his scheme of driving his mother and Constance around in circles. However, deceit also touches to the center of the play's more major themes. In a sense, the only reason anyone learns anything about their deep assumptions about class and behavior is because they are duped into seeing characters in different ways. This truth is most clear with Marlow and his shifting perspective on Kate, but it also is true for the Hardcastles and Sir Charles, who are able to see the contradictions in others because of what trickery engenders.

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